My brilliant colleague and friend Anne Ursu described theme this way in a lecture she gave at Hamline University in July of 2018:

“As you’re writing your draft, you are engaging with ideas, even if you don’t know it. Your mind puzzles at these things and leaves you clues. Funny things happen when you write a book. Your characters pick their interests and their words, you scatter some nice imagery and pretty set decoration, and as you are writing, a grand tapestry is weaved. You don’t tell your story what it’s about, but your story tells you. Our stories sneak up behind us and whisper, This is what I am talking about. Your job is to get quiet enough to listen.”

Sometimes we begin a project thinking we know what we’re writing about but it turns out that the story has something else in store for us. As I mentioned in the welcome letter, I thought for years I was writing a story of romantic love only to find that it was actually about siblinghood. Once I finally realized it, the path forward emerged.

If you haven’t given a single thought to theme before this point, that is absolutely fine. You’ll find that you have themes in your story in spite of yourself.

So, I am going to ask you this, as we approach the last several days of these lessons:

Take away all of the specifics. Take away the plot. At its essence, what is your story about?